{"id":3893,"date":"2016-10-06T10:08:44","date_gmt":"2016-10-06T09:08:44","guid":{"rendered":"http:\/\/www.19paulfort.com\/galerie\/?p=3893"},"modified":"2016-10-06T10:22:52","modified_gmt":"2016-10-06T09:22:52","slug":"dittlmann-bettina","status":"publish","type":"post","link":"http:\/\/www.19paulfort.com\/galerie\/index.php\/2016\/10\/06\/dittlmann-bettina\/","title":{"rendered":"DITTLMANN Bettina \u2022\u00a0"},"content":{"rendered":"

\"\"<\/p>\n

Bettina Dittlmann<\/h1>\n

Cr\u00e9atrice de bijoux<\/strong><\/p>\n

Born (1964) in Passau. Lives, works in Germany.<\/p>\n

Training\/Education<\/strong><\/p>\n

since 2008
\nStudio in Breitenbach, Germany<\/p>\n

2001 – 2007
\nStudio in Berlin and in Wald, Germany<\/p>\n

1999 – 2000
\nStudio in Springfield, Oregon, USA<\/p>\n

1999 – 2000
\nAssistant Professor, State University of Oregon, Eugene, USA<\/p>\n

1996 – 1999
\nAssistent of Professor Otto K\u00fcnzli at the Academy of Fine Art, Munich<\/p>\n

1994 – 1996
\nStudio in Brooklyn, New York, USA<\/p>\n

1991 – 1993
\nAcademy of Fine Art, Munich, Prof. Otto K\u00fcnzli<\/p>\n

1989 – 1991
\nState University of New York, New Paltz, USA, Prof. Bennett \/ Woell<\/p>\n

1987 – 1989
\nAcademy of Fine Art, Munich, Prof. Hermann J\u00fcnger<\/p>\n

1983 – 1986
\nSilversmithing apprenticeship, Neugablonz, Germany<\/p>\n

Awards<\/h3>\n

2009
\nBavarian State Prize
\n2005
\nBavarian State Prize<\/p>\n

2003
\nStateprize Berlin<\/p>\n

2001
\nHerbert-Hofmann-Preis, Int. Handwerksmesse Munich<\/p>\n

1999
\nPrinzregent-Luitpold-Stiftung, Munich<\/p>\n

1998
\nGold-grant from Hafner Company, Pforzheim<\/p>\n

1994
\nGerman Academic Exchange Service, Travel grant to USA F\u00f6rderpreis der Stadt M\u00fcnchen, Munich<\/p>\n

Collections<\/strong><\/p>\n

USA :
\nMetropolitan Museum, New York, Samuel Dorsky Museum of Art, New Paltz<\/p>\n

GB :
\nVictoria & Albert Museum, London<\/p>\n

Germany
\nDie Neue Sammlung in der Pinakothek der Moderne, Munich,<\/p>\n

Czech Republic
\nMuzeum Cesk\u00e9ho ra\u00e1je, Turnov.<\/p>\n

\u00ab\u00a0Playing is very serious. My work comes from playing. My way of working is seriously playful. The materials I use are mostly \u201enon-precious\u201c. Acrylics, Iron, Pyrite, Glass, Paint, Enamel… working in layers. I make jewelry. People think jewelry is something precious. Jewelry can be precious. I spend my time trying to make the \u201enonprecious\u201c precious. In some pieces I succeed. In others I do not. It is a fine line between success and failure. Playing very seriously.. Jewelry can make us aware of LIFE being precious. Then it is beyond…\u00a0\u00bb
\nBettina Dittlmann<\/p>\n

\u00ab\u00a0Le jeu est tr\u00e8s s\u00e9rieux. Mon travail vient du jeu. Ma fa\u00e7on de travailler est s\u00e9rieusement ludique. Les mat\u00e9riaux que j’utilise sont le plus souvent \u00ab\u00a0non pr\u00e9cieux\u00a0\u00bb. Acryliques, fer, pyrite, verre, peinture, \u00e9mail … travail par couches. Je fais des bijoux. Les gens pensent que le bijou est quelque chose de pr\u00e9cieux. Les bijoux peuvent \u00eatre pr\u00e9cieux. Je passe mon temps \u00e0 essayer de rendre le pr\u00e9cieux \u00ab\u00a0non pr\u00e9cieux\u00a0\u00bb. Dans certains cas je r\u00e9ussis. Dans d’autres, je ne sais pas. La ligne est t\u00e9nue entre le succ\u00e8s et l’\u00e9chec. Jouer tr\u00e8s s\u00e9rieusement .. Les bijoux peuvent nous faire prendre conscience ue LA VIE est pr\u00e9cieuse.. Ensuite, c’est au-del\u00e0.\u00a0\u00bb Bettina Dittlmann<\/strong><\/p>\n

\n

Cette artiste a particip\u00e9 rue Paul Fort \u00e0 :<\/strong><\/p>\n

L’exposition \u00ab\u00a0Au-del\u00e0 du pr\u00e9cieux, au-del\u00e0 des fronti\u00e8res\u00a0\u00bb
\nen novembre 2013<\/p>\n

>\u00a0Lien vers l’exposition<\/a><\/p>\n

\n

Photos<\/strong><\/p>\n

(Photos : Michael Jank)<\/em>
\n
\n\"\"
\n<\/em><\/p>\n

Brooch (2012) \u201cFukoshima\u201d acrylic glass, silver 10,7x 10,7x 0,7cm <\/em><\/p>\n

\"\"
\nBrooch (2012) Blue-Grey-Red acrylic glass, silver, acrylic paint
\n13 x 13 x 0,7cm\u00a0 <\/em><\/p>\n