{"id":3939,"date":"2016-10-06T11:16:11","date_gmt":"2016-10-06T10:16:11","guid":{"rendered":"http:\/\/www.19paulfort.com\/galerie\/?p=3939"},"modified":"2016-10-06T11:20:04","modified_gmt":"2016-10-06T10:20:04","slug":"marsland-sally","status":"publish","type":"post","link":"http:\/\/www.19paulfort.com\/galerie\/index.php\/2016\/10\/06\/marsland-sally\/","title":{"rendered":"MARSLAND Sally \u2022"},"content":{"rendered":"

\"portrait-sally-crop\"<\/a>
\nSally Marsland<\/h1>\n

Cr\u00e9atrice de bijoux<\/strong><\/p>\n

Born (1969). Lives Melbourne, Australia.<\/p>\n

Education \/ Related Activity<\/strong><\/p>\n

1997-1998, 2001-2005
\nSessional lecturer, Gold & Silversmithing Department, RMIT<\/p>\n

1998-2000
\nMunich Academy of Fine Art (Class of Otto K\u00fcnzli), Germany<\/p>\n

1995-1996
\nB.A. Honours (1st Class), Fine Art, Gold & Silversmithing, RMIT Selected<\/p>\n

Awards\/Grants<\/strong><\/p>\n

2012
\nArts Victoria Grant (Export and Touring)<\/p>\n

2010
\nAustralia Council for the Arts Grant (New Work)<\/p>\n

2006
\nColin & Cecily Rigg Contemporary Design Award<\/p>\n

2002
\nHerbert Hofmann Prize, Schmuck 2002 Goldfields Ozgold 2002 Award<\/p>\n

2001
\nArts Victoria Grant (Development\/Export & Touring) Australia Council for the Arts Grant (New Work)<\/p>\n

1999
\nDAAD Stipendium<\/p>\n

1998
\nQueen\u2019s Trust Grant for Young Australians<\/p>\n

1997
\nCity of Hobart Art Prize Australia Council for the Arts Grant (Development)<\/p>\n

Public Collections<\/strong><\/p>\n

Australia :
\nNumerous Australian public collections including Powerhouse Museum, Sydney and the National Gallery of Australia, Canberra<\/p>\n

France :
\nMus\u00e9e des Arts d\u00e9coratifs, Paris<\/p>\n

Germany :
\nMuseum f\u00fcr Angewandte Kunst, Frankfurt am Main Die Neue Sammlung – Staatliches Museum f\u00fcr angewandte Kunst\/Design in der Pinakothek der Moderne, Munich<\/p>\n

Netherlands :
\nABN-AMRO, Amsterdam; Stichting van den Bosch-Foundation, Stedlijk Museum, Amsterdam<\/p>\n

Japan :
\nHiko Mizuno College of Jewellery, Tokyo.<\/p>\n

\u00ab\u00a0I LOVE faceted gemstones (although nothing can compete with the beauty of found mineral specimens) and gold is AMAZING! \u2013 for its colour alone, let alone its malleability and ductility \u2026 such a pleasure to work with, just thinking about the last time I cut gold with a jewellers saw gives a shiver of delight (unlike cutting steel \u2013 the memory of which sends my hand to press my teeth, the same way as when someone scrapes chalk on a blackboard). The world of jewellery is littered with fantastic examples using \u2018precious materials\u2019 (Go Etruscans go! Go Karl Fritsch go! etc. etc.). But I do not use them very often; I have so many other things in my studio to be distracted by. Once you start paying attention to the materials, and the materiality of \u2018things\u2019 new possibilities endlessly open out \u2026 within themselves and in relation to other bodies \u2013 jewellery\u00a0\u00bb.<\/p>\n

\u00ab\u00a0J’AIME les pierres taill\u00e9es (bien que rien ne puisse rivaliser avec la beaut\u00e9 de min\u00e9raux trouv\u00e9s \u00e0 l\u2019\u00e9tat naturel) et l’or est incroyable! – Par sa seule couleur, sans parler de sa mall\u00e9abilit\u00e9 et ductilit\u00e9… un vrai plaisir de le travailler, juste penser \u00e0 la derni\u00e8re fois o\u00f9 j\u2019ai coupe de l\u2019or avec une scie de bijoutiers me donne un frisson de plaisir (contrairement \u00e0 couper de l’acier – le souvenir d\u2019un grincement de dents ou une craie gratt\u00e9e sur un tableau noir !). Le monde de la bijouterie est rempli d’exemples fantastiques d\u2019utilisation de \u00abmati\u00e8res pr\u00e9cieuses\u00bb. Mais je ne les utilise pas tr\u00e8s souvent, je me laisse distraire par tellement d\u2019autres choses dans mon studio. Une fois que vous commencez \u00e0 pr\u00eater attention aux mat\u00e9riaux, et \u00e0 la mat\u00e9rialit\u00e9 des choses, de nouvelles possibilit\u00e9s infinies s’ouvrent … en elles-m\u00eames et par rapport \u00e0 d’autres organismes \u2013 les bijoux.\u00a0\u00bb<\/p>\n

\n

Cette artiste a particip\u00e9 rue Paul Fort \u00e0 :<\/strong><\/p>\n

L’exposition \u00ab\u00a0Au-del\u00e0 du pr\u00e9cieux, au-del\u00e0 des mers\u00a0\u00bb en septembre octobre 2013<\/p>\n

>\u00a0Lien vers l’exposition<\/a><\/p>\n

\n

Photos\"2012-17900\"<\/a><\/strong><\/p>\n

Pendant (2012) (wooden egg cup) \u2013 cut, glued, painted, threaded.\u00a0<\/em>Wood, acrylic paint, nylon.\u00a0Photo : Jeremy Dillon
\nPendentif (2012).\u00a0Coquetier en bois-coup\u00e9, coll\u00e9, peint, filet\u00e9.
\n<\/em>Bois, acrylic, peinture , nylon. Photo : Jeremy Dillon<\/em><\/p>\n

\"2012-catalogue-back-cover-low-res\"<\/a><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Sally Marsland Cr\u00e9atrice de bijoux Born (1969). Lives Melbourne, Australia. Education \/ Related Activity 1997-1998, 2001-2005 Sessional lecturer, Gold & Silversmithing Department, RMIT 1998-2000 Munich Academy of Fine Art (Class of Otto K\u00fcnzli), Germany 1995-1996 B.A. Honours (1st Class), Fine Art, Gold & Silversmithing, RMIT Selected Awards\/Grants 2012 Arts Victoria Grant (Export and Touring) 2010…Continue reading MARSLAND Sally \u2022<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,30,20],"tags":[],"class_list":["post-3939","post","type-post","status-publish","format-standard","hentry","category-artistes-invites","category-createurs-de-bijoux","category-par-nom"],"_links":{"self":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/3939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/comments?post=3939"}],"version-history":[{"count":5,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/3939\/revisions"}],"predecessor-version":[{"id":3947,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/3939\/revisions\/3947"}],"wp:attachment":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/media?parent=3939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/categories?post=3939"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/tags?post=3939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}