![\"\"](\"http:\/\/19paulfort.com\/images\/stories\/artistes\/LARPENT\/BettinaSpekner.jpg\")
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Cr\u00e9atrice de bijoux<\/strong><\/p>\n Born (1962) lives and works in Ubersee, Germany.<\/p>\n Education<\/strong><\/p>\n 1993 1992 1986 1985 1984 Awards<\/strong><\/p>\n 2012 2011 2006 2005 2003 2001 2000 1999 1998 1997 1995 1990 Collections<\/strong><\/p>\n Australia Suisse CS Finlande France GB Germany NL Norway Sweden USA Bettina Speckner statement<\/strong> D\u00e9claration de Bettina Speckner<\/strong> Cette artiste a particip\u00e9 rue Paul Fort \u00e0 :<\/strong><\/p>\n L’exposition \u00ab\u00a0Au-del\u00e0 du pr\u00e9cieux, au-del\u00e0 des fronti\u00e8res\u00a0\u00bb en novembre 2013<\/p>\n >\u00a0Lien vers l’exposition<\/a><\/p>\n Photo<\/strong> Bettina Speckner Cr\u00e9atrice de bijoux Born (1962) lives and works in Ubersee, Germany. Education 1993 Diploma MFA 1992 Teatcher Diploma 1986 Change to the jewelry-class, Prof. H. J\u00fcnger; since 1991 Prof. Otto K\u00fcnzl 1985 Gueststudy with Daniel Spoerri 1984 Study at the Academy of Fine Arts, Munich, painting-class Prof. H. Sauerbruch Awards 2012 Art LAB’s…Continue reading SPECKNER Bettina \u2022<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,30,20,19],"tags":[],"class_list":["post-3986","post","type-post","status-publish","format-standard","hentry","category-artistes-invites","category-createurs-de-bijoux","category-par-nom","category-par-pratique-artistique"],"_links":{"self":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/3986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/comments?post=3986"}],"version-history":[{"count":5,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/3986\/revisions"}],"predecessor-version":[{"id":4271,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/3986\/revisions\/4271"}],"wp:attachment":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/media?parent=3986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/categories?post=3986"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/tags?post=3986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nDiploma MFA<\/p>\n
\nTeatcher Diploma<\/p>\n
\nChange to the jewelry-class, Prof. H. J\u00fcnger; since 1991 Prof. Otto K\u00fcnzl<\/p>\n
\nGueststudy with Daniel Spoerri<\/p>\n
\nStudy at the Academy of Fine Arts, Munich, painting-class Prof. H. Sauerbruch<\/p>\n
\nArt LAB’s Artist Residency in Rejmyre, SE<\/p>\n
\nLa Padova carrarese.. Padova, I, 2010 Grant of Goethe Institute, Amsterdam, N<\/p>\n
\nGrant of the Erwin u. Gisela von Steiner Foundation<\/p>\n
\nCommendation \u201cDanner-Prize\u201d (C)<\/p>\n
\n\u201cArtist in residence\u201d from Goethe-Inst. Tallinn,EE<\/p>\n
\nPrize of the state of Bavaria<\/p>\n
\nScholarship of the City of Munich<\/p>\n
\nGrantprize of the city of Munich (C) Commendation \u201cDanner-Prize\u201d (C)<\/p>\n
\nHerbert-Hofmann-Prize (C)<\/p>\n
\nScholarship of the Deutsches Museum Munich<\/p>\n
\nGrant of the Erwin u. Gisela von Steiner Foundation<\/p>\n
\nCommendation \u201cDanner Prize\u201d (C) Grant of the Marschalk v. Ostheim Foundation,<\/p>\n
\nThe National Gallery, Cranberry<\/p>\n
\nMus\u00e9e de l\u2019Horlogerie et de l\u2019Emaillerie, Geneva<\/p>\n
\nSchmuckmuseum Turnov<\/p>\n
\nDesign Museum, Helsinki<\/p>\n
\nCollection of the town of Cagnes-sur-Mer<\/p>\n
\nRoyal college of Art Collection, London<\/p>\n
\nMuseum of the city; Museum of Applied Art, Neue Sammlung ; Danner-Foundation, Munich ; Angermuseum Erfurt ; Jewellery-Museum Pforzheim ; Museum of the county of Baden, Karlsruhe ; Museum f\u00fcr Kunst und Gewerbe, Berlin ; Museum f\u00fcr Kunst u. Gewerbe, Hamburg ; Deutsches Goldschmiedehaus, Hanau<\/p>\n
\nStedelijk Museum Amsterdam<\/p>\n
\nNordenfjeldske Kunstindustrimuseum Trondheim<\/p>\n
\nR\u00f6hsska Museum of Decorative Arts, Gothenburg<\/p>\n
\nMint Museum of Art and Design, N-Carolina
\nDallas Museum of Art, Dallas TX
\nThe Metropolitan Museum of Art, New York
\nMuseum of Art and Design, Chicago.<\/p>\n
\n\u00ab\u00a0I never work with the intention to decorate things or to make them look prettier, I try to discover the soul of an object or the essence of a photograph and want to shape something new which appeals to me and to other people beyond the optical appearance. Strange, queer and peculiar things fascinate me, because they mix well-known things with events or things beyond understanding. Queer things, (even trash, for example) for me they are peculiar and precious. I love the beauty of stones. For me the quality of a stone does not depend on its technical or market value. A ruby is not more precious because it has this or that colour. \u201cWrong \u201c colours or \u201cbad\u201d cuts often are more beautiful. Imperfection sometimes is very amiable. In my look on the world I\u2019m searching for the exotic in every day life, the common ground, the essential parts. As Max Beckmann, a painter whom I admire very much, puts it :<\/em> \u201cTo make the invisible visible through reality.- That might sound paradoxical, but it\u2019s really reality that forms the Mystery of life\u201d.<\/p>\n
\n\u00ab\u00a0Je ne travaille jamais avec l’intention de d\u00e9corer les choses ou celle de les rendre plus jolies, j’essaie de d\u00e9couvrir l’\u00e2me d’un objet ou l’essence de la photographie et je veux fa\u00e7onner quelque chose de nouveau qui plaise, \u00e0 moi et \u00e0 d’autres, au-del\u00e0 de l’apparencet optique. Des choses \u00e9tranges, \u00e9trange et bizarre me fascinent, car il y a un m\u00e9lange d\u2018\u00e9v\u00e9nements connus et d\u2019autres allant au-del\u00e0 de la compr\u00e9hension.Des objets bizarres, (m\u00eame des ordures par exemple) sont pour moi propres et pr\u00e9cieux. J’aime la beaut\u00e9 des pierres.J\u2019estime que la qualit\u00e9 d’une pierre ne d\u00e9pend pas de sa valeur technique ou commerciale. Un rubis n’est pas plus pr\u00e9cieux parce qu’il a telle ou telle couleur. Les \u00abmauvaises\u00bb couleurs ou \u00abmauvaises\u00bb d\u00e9coupes sont souvent plus belles. L\u2018imperfection est parfois tr\u00e8s interessante. Dans mon regard sur le monde, je suis \u00e0 la recherche d\u2018exotisme dans la vie de tous les jours, d\u2018un terrain d’entente, de parties essentielles. Comme explique Max Beckmann, un peintre que j’admire beaucoup ;<\/em> \u00ab\u00a0Pour rendre visible l’invisible \u00e0 travers la r\u00e9alit\u00e9 -. Cela peut sembler paradoxal, mais c’est vraiment la r\u00e9alit\u00e9 qui constitue le Myst\u00e8re de la Vie\u00a0\u00bb<\/p>\n
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\n![\"\"](\"http:\/\/19paulfort.com\/images\/BettinaSpecknefabrik300.JPG\")
\n<\/em><\/p>\nBrooch – Photoetching in Zinc, Silver, Diamonds 80x50mm <\/em>
\nBroche – Photogravure en zinc, argent, diamants 80x50mm <\/em><\/h6>\n","protected":false},"excerpt":{"rendered":"