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\nPieter-Jan Belder<\/h1>\n
Claveciniste<\/strong><\/p>\n (In english below)<\/em><\/strong><\/span><\/p>\n Ne\u0301 en France (1966).Vit a\u0300 Amsterdam Pays-Bas. photographies du concert ci-dessus : \u00a9 Herv\u00e9 Abbadie<\/em><\/p>\n En 1997, Pieter-Jan Belder a rec\u0327u le troisie\u0300me prix au concours de clavecin du prix de la musique NDR a\u0300 Hambourg. En 2000, il a remporte\u0301 le concours de clavecin de Leipzig Bach. En 2005, il fait ses de\u0301buts comme chef au Concertgebouw d’Amsterdam. Depuis, il dirige re\u0301gulie\u0300rement des productions avec des solistes tels que Michael Chance et Sarah Connolly (Dido & Aeneas) et la chorale Collegium Vocale Gent. English<\/em><\/strong><\/span> Cet artiste a particip\u00e9 au 19 Paul Fort \u00e0 :<\/strong> Pieter-Jan Belder Claveciniste (In english below) Ne\u0301 en France (1966).Vit a\u0300 Amsterdam Pays-Bas. Pieter-Jan a e\u0301tudie\u0301 la flu\u0302te a\u0300 bec avec Ricardo Kanji au Conservatoire royal de La Haye et le clavecin avec Bob van Asperen au Conservatoire Sweelinck a\u0300 Amsterdam. Il a poursuivi une carrie\u0300re florissante en tant que claveciniste, joueur de clavicorde, organiste,…Continue reading BELDER Pieter-Jan \u2022\u00a0<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,26,20,19],"tags":[],"class_list":["post-7557","post","type-post","status-publish","format-standard","hentry","category-artistes-invites","category-musiciens-compositeurs","category-par-nom","category-par-pratique-artistique"],"_links":{"self":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/7557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/comments?post=7557"}],"version-history":[{"count":13,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/7557\/revisions"}],"predecessor-version":[{"id":7747,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/7557\/revisions\/7747"}],"wp:attachment":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/media?parent=7557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/categories?post=7557"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/tags?post=7557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nPieter-Jan a e\u0301tudie\u0301 la flu\u0302te a\u0300 bec avec Ricardo Kanji au Conservatoire royal de La Haye et le clavecin avec Bob van Asperen au Conservatoire Sweelinck a\u0300 Amsterdam. Il a poursuivi une carrie\u0300re florissante en tant que claveciniste, joueur de clavicorde, organiste, pianiste forte et joueur de flu\u0302te a\u0300 bec.
\nIl a participe\u0301 a\u0300 de nombreux festivals internationaux, tels que le Festival Oude Muziek Utrecht, le Berlin Musikfest, le Festival van Vlaanderen, le Festival Potsdam Sans Souci, le Bremen Musikfest et le Leipzig Bachfest.
\nIl donne re\u0301gulie\u0300rement des re\u0301citals en solo et est e\u0301galement tre\u0300s sollicite\u0301 en tant que joueur de continuo avec des ensembles tels que l’Orchestre du XVIIIe sie\u0300cle, Camarata Trajectina, le Bach Collegium Japan, le Gesualdo Consort Amsterdam et la Netherlands Association Bach. travaille avec des chefs tels que Frans Bru\u0308ggen, Ton Koopman, Masaaki Suzuki, Jos van Veldhoven et Philippe Herreweghe, entre autres. Belder a e\u0301galement accompagne\u0301 des solistes tels que Johannette Zomer, Nico van der Meel, Harry van der Kamp, Sigiswald Kuijken, Re\u0301my Baudet, Rainer Zipperling et Wilbert Hazelzet. Belder dirige son propre ensemble Musica Amphion.<\/p>\n\n\t\t\t\t
<\/a>\n\t\t\t<\/div><\/figure>\n\t\t\t\t<\/a>\n\t\t\t<\/div><\/figure>\n\t\t\t\t<\/a>\n\t\t\t<\/div><\/figure>\n\t\t\t\t<\/a>\n\t\t\t<\/div><\/figure>\n\t\t\t\t<\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<\/h1>\n
\nIl a re\u0301alise\u0301 plus de 140 enregistrements sur CD, la plupart en solo et de musique de chambre. Depuis 1999, Belder travaille a\u0300 l\u2019enregistrement inte\u0301gral de la sonate pour clavier Scarlatti, sortie en 2007. Depuis, il enregistre le Clavier bien tempe\u0301re\u0301 de Bach ainsi que l\u2019ensemble des \u0153uvres pour clavecin de Rameau et Soler. Brilliant a e\u0301galement publie\u0301 un enregistrement de la se\u0301rie Kenner und Liebhaber de C.P.E. Bach, enregistre\u0301 sur le pianoforte et le clavicorde ainsi que sur des concertos pour clavecin enregistre\u0301s avec son propre groupe Musica Amphion.
\nBelder a e\u0301galement enregistre\u0301 plusieurs productions pour orchestre et musique de chambre avec Musica Amphion: Tafelmusik de Telemann, les \u0153uvres comple\u0300tes de Corelli, les concertos de Bach a\u0300 Brandebourg, les concertos de Bach pour 2, 3 et 4 clavecins et la musique de chambre comple\u0300te de Purcell. Il a e\u0301galement initie\u0301 Bach in Context, une se\u0301rie de concerts et de CD, interpre\u0301tant des cantates de Bach dans leur contexte the\u0301matique et dans lequel le re\u0301pertoire d’orgue a e\u0301galement e\u0301te\u0301 incorpore\u0301. Cette se\u0301rie e\u0301tait en association avec Gesualdo Consort Amsterdam et e\u0301tait publie\u0301e sur l\u2019e\u0301tiquette Etcetera.
\nPieter-Jan travaille actuellement sur l’enregistrement des \u0153uvres pour clavecin de J.S. Bach, Dandrieu et le livre Fitzwilliam Virginal. Il a un duo re\u0301ussi avec le violoniste baroque Rie Kimura avec qui il a enregistre\u0301 C.P.E. Sonates de Bach pour violon du label Resonus.<\/p>\n
\nPieter-Jan Belder (1966) studied recorder with Ricardo Kanji at the Royal Conservatorium of The Hague, and harpsichord with Bob van Asperen at the Amsterdam Sweelinck Conservatorium. He has persued a flourishing career as harpsichordist, clavichord player, organist, forte-pianist and recorder player.
\nHe has appeared at many international festivals, such as the Festival Oude Muziek Utrecht, the Berlin Musikfest, the Festival van Vlaanderen, the Festival Potsdam Sans Souci, Bremen Musikfest and the Leipzig Bachfest.
\nHe regularly plays solo recitals, and is also very much in demand as a continuo player with such ensembles as the, The Orchestra of the Eighteenth Century, Camarata Trajectina, Bach Collegium Japan, Gesualdo Consort Amsterdam, and the Netherlands Bach Society, and has been working with conductors such as Frans Bru\u0308ggen, Ton Koopman, Masaaki Suzuki, Jos van Veldhoven and Philippe Herreweghe, amongst others. Belder has also accompanied soloists such as Johannette Zomer, Nico van der Meel, Harry van der Kamp, Sigiswald Kuijken, Re\u0301my Baudet, Rainer Zipperling and Wilbert Hazelzet. Belder conducts his own ensemble Musica Amphion.
\nIn 1997 Pieter-Jan Belder was awarded the third prize at the Hamburg NDR Music Prize harpsichord competition. In 2000 he was winner of the Leipzig Bach harpsichord competition. In 2005 he made his debut as a conductor in the Amsterdam Concertgebouw, and was since then regularly conducting productions with soloists such as Michael Chance and Sarah Connolly (Dido & Aeneas) and the choir Collegium Vocale Gent .
\nHe has made over 140 CD recordings, most of them solo and chamber music productions. Since 1999 Belder has worked on his integral recording of the Scarlatti keyboard sonatas, which was released in 2007. Since then he has recorded Bach\u2019s Well-tempered Clavier along with the complete harpsichord works by Rameau and Soler. Brilliant also released a recording of the Kenner und Liebhaber series by C.P.E. Bach, recorded on the fortepiano and the clavichord as well as harpsichord concertos recorded with his own group Musica Amphion.
\nBelder has also recorded several orchestral and chamber-music productions with Musica Amphion: Telemann\u2019s Tafelmusik, the complete works of Corelli, Bach\u2019s Brandenburg concertos, Bach\u2019s concertos for 2, 3 & 4 harpsichords, and the complete chamber music of Purcell. Also he initiated Bach in Context, a concert- and CD series, performing Bach cantatas in their thematic context, and in which also the organ repertoire was incorporated. This series was in corporation with Gesualdo Consort Amsterdam and issued on the label Etcetera.
\nPieter-Jan Belder is currently working on recording the harpsichord works by J.S. Bach, Dandrieu and the Fitzwilliam Virginal Book. He has a succesfull duo with baroque violinist Rie Kimura with whom he recorded C.P.E. Bach\u2019s violin sonatas for the label Resonus.
\nBelder teaches baroque performance at the Musikhochschule in Lu\u0308beck, Germany.<\/p>\n
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\n– Un concert dans le cadre de l’exposition \u00ab\u00a0Entre eau et ciel : Amsterdam\u00a0\u00bb le 5 juin 2019<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"