{"id":828,"date":"2016-06-07T07:46:21","date_gmt":"2016-06-07T06:46:21","guid":{"rendered":"http:\/\/www.19paulfort.com\/galerie\/?p=828"},"modified":"2016-10-06T10:57:30","modified_gmt":"2016-10-06T09:57:30","slug":"kruger-daniel","status":"publish","type":"post","link":"http:\/\/www.19paulfort.com\/galerie\/index.php\/2016\/06\/07\/kruger-daniel\/","title":{"rendered":"KRUGER Daniel \u2022"},"content":{"rendered":"<h1><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/19paulfort.com\/images\/stories\/expositions\/audeladesfrontieres\/KRUGER\/Kruger.jpg\" alt=\"\" width=\"269\" height=\"406\" border=\"0\" \/><\/em>Daniel Kruger<\/h1>\n<p><strong>Cr\u00e9ateur de bijoux<\/strong><\/p>\n<p>Born (1951) Cape Town, South Africa. Lives, works in Berlin, Germany.<\/p>\n<p><strong>Education <\/strong><\/p>\n<p style=\"text-align: justify;\">1971-1972<br \/>\nstudied goldsmithing and graphic design at the University of Stellenbosch<\/p>\n<p style=\"text-align: justify;\">1973-1974<br \/>\nstudied painting and sculpture at the Michaelis School of fine art, university of Cape Town<\/p>\n<p style=\"text-align: justify;\">1974-1980<br \/>\nstudied goldsmithing with Prof. Hermann J\u00fcnger at the Akademie der Bildenden K\u00fcnsten, Munich<\/p>\n<p>2003<br \/>\nProfessor for jewellery at Burg Giebichenstein University for Art and Designe, Halle an der Saale.<\/p>\n<p>Collections<\/p>\n<p>Australia<br \/>\nThe Power House Museum, Sydne<br \/>\nLandesmuseum Joanneum, Graz<\/p>\n<p>Canada<br \/>\nMus\u00e9e des Arts D\u00e9coratifs Montr\u00e9al<\/p>\n<p>France<br \/>\nCentre National des Arts Plastique, Paris<br \/>\nCollection of the city Cagnes-sur-Mer, Cagnes-sur-Mer<\/p>\n<p>Great Britain<br \/>\nThe Royal College of Art, London<\/p>\n<p>Germany<br \/>\nW\u00fcrttembergischeslandesmuseum<br \/>\nInstitute for Foreign Cultural Relations Stuttgart<br \/>\nSchmuckmuseum im Reuchlinhaus, Pforzheim<br \/>\nThe M\u00fcnchner Stadtmuseum<br \/>\nThe Danner Foundation, Munich<br \/>\nKunstgewerbe Museum, Berlin<\/p>\n<p>Japan<br \/>\nThe Hiko Mizuno College of Jewellery, Tokyo<\/p>\n<p>Nederlands<br \/>\nMuseum het Kruithuis, s&rsquo; Hertogenbosch<br \/>\nMuseum Boymans van Beuningen, Rotterdam<\/p>\n<p>USA<br \/>\nCooper Hewett National Design Museum, New York<br \/>\nRISD Museum, Providence<br \/>\nMuseum of Fine Art, Daphne Farago Collection, Boston<br \/>\nThe Museum of Fine Art, The Helen Williams Drutt Collection, Houston<br \/>\nMint Museum Randolph, Charlotte.<\/p>\n<p style=\"text-align: justify;\">\u00ab\u00a0In these works my concern is about transparency, light and colour. The angle at which one looks at the piece changes these properties. Jewellery is not placed on a stand to be looked at but worn on the body. There is movement involved and thus the perspective continually changes. This is what these pieces are about. When looked at directly from the front they are almost transparent with only the tracery of a pattern visible. As the angle changes the openings in the tracery become smaller, they close up, they reflect light and colour appears. This disappear again as the angle reverts from the oblique to the direct view. These changes can take place rapidly causing a flash of colour or they can occur slowly as a transition from one state into the other. These are qualities that are found in faceted gemstones for instance. This is also the case with mirrors. Or with deep water creatures that emit light pulses. They reflect or emit light and colour; they register and reflect change of movement. This is their mystery and what makes them fascinating. In these pieces I wish to convey this kind of surprise, mysteryand fascination.\u00a0\u00bb \u00a0<strong>Daniel Kruger<\/strong><\/p>\n<p style=\"text-align: justify;\">\u00ab\u00a0Dans ces \u0153uvres, ma pr\u00e9occupation est la transparence, la lumi\u00e8re et la couleur. L&rsquo;angle sous lequel la pi\u00e8ce est vue, modifie ces propri\u00e9t\u00e9s.Le bijou n&rsquo;est pas plac\u00e9 sur un support pour \u00eatre regard\u00e9, mais i lest port\u00e9 sur le corps, ce qui implique un mouvement et donc un changement continuel de perspective. C&rsquo;est ce que ces pi\u00e8ces illustrent.. Quand on les regarde directement de face, elles sont presque transparentes avec seulement les entrelas d&rsquo;un motif visible. D\u00e8s que l&rsquo;angle change les ouvertures des entrelacs deviennent plus petites, elles se ferment, refl\u00e8tent la lumi\u00e8re et la couleur appara\u00eet. Cette couleur dispara\u00eet \u00e0 nouveau quand l&rsquo;angle passe de l\u2018oblique \u00e0 la vue fronale. Ces changements peuvent avoir lieu rapidement, provoquant un \u00e9clat de couleur , ou ils peuvent se produire lentement comme une transition d&rsquo;un \u00e9tat \u00e0 l&rsquo;autre. Ce sont des qualit\u00e9s que l&rsquo;on retrouve avec les pierres taill\u00e9es par exemple. C&rsquo;est aussi le cas avec les miroirs. Ou avec des cr\u00e9atures des eaux profondes qui \u00e9mettent des impulsions lumineuses. Elles r\u00e9fl\u00e9chissent ou \u00e9mettent lumi\u00e8re et couleur; elles enregistrent et refl\u00e8tent le changement de mouvement. C\u2019est un myst\u00e8re et c\u2019est ce qui les rend fascinantes. Dans ces oeuvres pr\u00e9sent\u00e9es, j\u2019esp\u00e8re exprimer ce genre de surprise, de myst\u00e8re et de fascination.\u00a0\u00bb\u00a0<strong>Daniel Kruger<\/strong><\/p>\n<hr \/>\n<p><strong>Cet artiste a particip\u00e9 rue Paul Fort \u00e0 :<\/strong><\/p>\n<p>L&rsquo;exposition \u00ab\u00a0Au-del\u00e0 du pr\u00e9cieux, au-del\u00e0 des fronti\u00e8res\u00a0\u00bb\u00a0en novembre 2013<\/p>\n<p><a href=\"http:\/\/www.19paulfort.com\/galerie\/index.php\/2016\/05\/25\/exposition-au-dela-du-precieux-au-dela-des-frontieres\/\">&gt;\u00a0Lien vers l&rsquo;exposition<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong>Photos<\/strong><\/p>\n<h6><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/19paulfort.com\/images\/stories\/expositions\/audeladesfrontieres\/KRUGER\/16799.gif\" alt=\"\" width=\"491\" height=\"737\" border=\"0\" \/><br \/>\n<em>Necklace 2011 Silver, pigment 13x13x2 cm <\/em><br \/>\n<em>Photo: Udo W. Beier <\/em><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/19paulfort.com\/images\/stories\/expositions\/audeladesfrontieres\/KRUGER\/34169A.gif\" alt=\"\" width=\"491\" height=\"508\" border=\"0\" \/><br \/>\n<em>Ring: Untitled 2011 Silver, pigment Photo: Udo W. Beier<\/em><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Daniel Kruger Cr\u00e9ateur de bijoux Born (1951) Cape Town, South Africa. Lives, works in Berlin, Germany. Education 1971-1972 studied goldsmithing and graphic design at the University of Stellenbosch 1973-1974 studied painting and sculpture at the Michaelis School of fine art, university of Cape Town 1974-1980 studied goldsmithing with Prof. Hermann J\u00fcnger at the Akademie der&hellip;<a href=\"http:\/\/www.19paulfort.com\/galerie\/index.php\/2016\/06\/07\/kruger-daniel\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">KRUGER Daniel \u2022<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,30,20,19],"tags":[],"class_list":["post-828","post","type-post","status-publish","format-standard","hentry","category-artistes-invites","category-createurs-de-bijoux","category-par-nom","category-par-pratique-artistique"],"_links":{"self":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/comments?post=828"}],"version-history":[{"count":4,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/828\/revisions"}],"predecessor-version":[{"id":3928,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/828\/revisions\/3928"}],"wp:attachment":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/media?parent=828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/categories?post=828"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/tags?post=828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}