![\"\"](\"http:\/\/19paulfort.com\/images\/stories\/expositions\/Audeladesmers\/NlleZELANDE\/MASON\/04%20-Portrait%20%20Vicki%20Mason.JPG\")
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Cr\u00e9atrice de bijoux<\/strong><\/p>\n Born, lives Melbourne, Australia.<\/p>\n EDUCATION<\/strong> 1993 \u2013 1995 1989 \u2013 1992 SELECTED GRANTS\/AWARDS<\/strong><\/p>\n 2012 2010 2009 2006 2005 COLLECTIONS Vicki Mason statement<\/strong> D\u00e9claration de Vicki Mason<\/strong> Cette artiste a particip\u00e9 rue Paul Fort \u00e0 :<\/strong><\/p>\n L’exposition \u00ab\u00a0Au-del\u00e0 du pr\u00e9cieux, au-del\u00e0 des mers\u00a0\u00bb\u00a0en septembre octobre 2013<\/p>\n >\u00a0Lien vers l’exposition<\/a><\/p>\n Photos<\/strong><\/p>\n <\/p>\n Vicky Mason Cr\u00e9atrice de bijoux Born, lives Melbourne, Australia. EDUCATION 2007 \u2013 2011 Australian National University, Master of Philosophy (Research) Gold and Silversmithing, Canberra, Australia 2006 Box Hill Institute, Certificate IV in Training and Assessment, Melbourne, Australia 1993 \u2013 1995 Otago Polytechnic, Diploma in Craft Design, (Major: Jewellery) Dunedin, New Zealand 1989 \u2013 1992 University…Continue reading MASON Vicky \u2022<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,30,20,19],"tags":[],"class_list":["post-843","post","type-post","status-publish","format-standard","hentry","category-artistes-invites","category-createurs-de-bijoux","category-par-nom","category-par-pratique-artistique"],"_links":{"self":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/comments?post=843"}],"version-history":[{"count":4,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/843\/revisions"}],"predecessor-version":[{"id":3937,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/843\/revisions\/3937"}],"wp:attachment":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/media?parent=843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/categories?post=843"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/tags?post=843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n2007 \u2013 2011
\nAustralian National University, Master of Philosophy (Research) Gold and Silversmithing, Canberra, Australia 2006 Box Hill Institute, Certificate IV in Training and Assessment, Melbourne, Australia<\/p>\n
\nOtago Polytechnic, Diploma in Craft Design, (Major: Jewellery) Dunedin, New Zealand<\/p>\n
\nUniversity of Otago, Bachelor of Arts, (Major: Classical Studies) Dunedin, New Zealand<\/p>\n
\nCity of Melbourne Arts Grant Program 2012, Melbourne, Australia<\/p>\n
\nArts Victoria, Artists in Schools Grant, Melbourne Girls College, Melbourne, Australia<\/p>\n
\nContemporary Wearables Biennial Jewellery Award and Exhibition
\nAward, First Prize, Toowoomba Regional Art Gallery, Queensland, Australia<\/p>\n
\nNational Contemporary Jewellery Award, First prize: Jewellery using non precious materials, Griffith Regional Art Gallery, NSW, Australia<\/p>\n
\nAustralia Council for the Arts, VACB, New work grant<\/p>\n
\n<\/strong>
\nToowoomba Regional Art Gallery, Toowoomba, Australia, Art Gallery of South Australia, Adelaide, SA, Australia, Griffith Regional Art Gallery, Griffith, NSW, Australia, Grundy Art Gallery, Blackpool, UK Manchester Metropolitan University, Manchester, UK, Absolut Vodka Art Collection, Sweden.<\/p>\n
\n\u00ab\u00a0German goldsmith Herman Junger, along with other jewellers, introduced a range of inexpensive materials into the vocabulary of the art jeweller in the 1960s. Combining precious and non-precious materials to question the meaning of \u2018value\u2019 in relation to jewellery is continually being explored by art jewellers. These works continue this tradition, working against the grain of perceived value hierarchies attached to jewellery as objects reflecting status. Non precious materials provoke new kinds of reactions. Ambiguity can be evoked, for example, as the true nature of an alternative material (that is not easy to \u2018read\u2019 in traditional terms) has the potential to elicit feelings that can challenge the viewer.\u00a0\u00bb<\/p>\n
\n\u00ab\u00a0L\u2019orf\u00e8vre allemand Herman Junger, avec d’autres joailliers, a pr\u00e9sent\u00e9 une gamme de mat\u00e9riaux peu co\u00fbteux \u00e0 utiliser dans la bijouterie d’art des ann\u00e9es 1960. La combinaison de mat\u00e9riaux pr\u00e9cieux et non pr\u00e9cieux qui porte \u00e0 s’interroger sur le sens de \u00abvaleur\u00bb par rapport au bijou, est toujours explor\u00e9e par les joailliers. Ces travaux poursuivent cette tradition, en \u00e9tant \u00e0 l’encontre des hi\u00e9rarchies de valeurs attach\u00e9es au bijou-reflet d\u2019un statu. Les mat\u00e9riaux non pr\u00e9cieux provoquent de nouveaux types de r\u00e9actions. Une certaine ambigu\u00eft\u00e9 par exemple, car, accepter la vraie nature d’un mat\u00e9riau de remplacement (difficile \u00e0 \u00ablire\u00bb en termes traditionnels) est une sorte de d\u00e9fi pour le spectateur.\u00a0\u00bb<\/p>\n
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\n![\"\"](\"http:\/\/19paulfort.com\/images\/stories\/expositions\/Audeladesmers\/NlleZELANDE\/MASON\/03%20-%20Starburst%20chrysanthenum%20cluster.jpg\")
<\/em><\/p>\n![\"\"](\"http:\/\/19paulfort.com\/images\/stories\/expositions\/Audeladesmers\/NlleZELANDE\/MASON\/02%20-%20Chrysanthenum%20and%20bud%20bouquet.jpg\")
\n<\/em>Chrysanthemum and bud bouquet (2012) : Powder coated brass, cotton\u00a0<\/em>
\n5.5 x 6.5 x 2.3 cm – Photo : Grant Hancock\u00a0<\/em><\/h6>\nChrysanth\u00e8mes et bourgeon (2012) Poudre de laiton, coton\u00a0<\/em>
\n5.5 x 6.5 x 2.3 cm Photo : Grant Hancock<\/em><\/h6>\n![\"\"](\"http:\/\/19paulfort.com\/images\/stories\/expositions\/Audeladesmers\/NlleZELANDE\/MASON\/04%20-%20Grass%20and%20flower%20bouquet.jpg\")
<\/p>\nGrass and flower bouquet (2012) – Powder coated brass, cotton<\/em>
\n6.7 x 7.7 x 1.8 cm Photo : Grant Hancock
\n<\/em>
\nHerbe et fleur (2012) Poudre de laiton, coton <\/em>
\n6.7 x 7.7 x 1.8 cm Photo : Grant Hancock<\/em><\/h6>\n![\"\"](\"http:\/\/19paulfort.com\/images\/stories\/expositions\/Audeladesmers\/NlleZELANDE\/MASON\/01-%20Flecked%20corona%20brooches.jpg\")
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