![\"\"](\"http:\/\/19paulfort.com\/images\/stories\/expositions\/audeladesfrontieres\/PATTIHIS\/Portrait%20Liana_Pattihis.jpg\")
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Cr\u00e9atrice de bijoux<\/strong><\/p>\n Born (1961), lives and works in London UK<\/p>\n Education<\/strong><\/p>\n 2003-2007 2001-2002 1982-2001 1980-1982 1979-1980 1978-1979 Collections<\/strong><\/p>\n US Italy My perspective on preciousness in relation to my work.<\/strong> Mon point de vue sur la pr\u00e9ciosit\u00e9 par rapport \u00e0 mon travail<\/strong> Cette artiste a particip\u00e9 rue Paul Fort \u00e0 :<\/strong><\/p>\n L’exposition \u00ab\u00a0Au-del\u00e0 du pr\u00e9cieux, au-del\u00e0 des fronti\u00e8res\u00a0\u00bb\u00a0en novembre 2013<\/p>\n >\u00a0Lien vers l’exposition<\/a><\/p>\n Photos<\/strong><\/p>\n <\/p>\n Liana Pattihis Cr\u00e9atrice de bijoux Born (1961), lives and works in London UK Education 2003-2007 BA (Hons.) Jewellery design Middlesex University (leadership Caroline Broadhead) 2001-2002 Part time Jewellery Design Course at Central Saint Martin\u2019s College of Art and Design 1982-2001 Worked freelance as an Interior Designer 1980-1982 Transfer to Interior Design course at North London…Continue reading PATTIHIS Liana \u2022\u00a0<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,30,20,19],"tags":[],"class_list":["post-849","post","type-post","status-publish","format-standard","hentry","category-artistes-invites","category-createurs-de-bijoux","category-par-nom","category-par-pratique-artistique"],"_links":{"self":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/comments?post=849"}],"version-history":[{"count":4,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/849\/revisions"}],"predecessor-version":[{"id":3950,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/posts\/849\/revisions\/3950"}],"wp:attachment":[{"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/media?parent=849"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/categories?post=849"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.19paulfort.com\/galerie\/index.php\/wp-json\/wp\/v2\/tags?post=849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nBA (Hons.) Jewellery design Middlesex University (leadership Caroline Broadhead)<\/p>\n
\nPart time Jewellery Design Course at Central Saint Martin\u2019s College of Art and Design<\/p>\n
\nWorked freelance as an Interior Designer<\/p>\n
\nTransfer to Interior Design course at North London Polytechnic<\/p>\n
\nInterior Design, Birmingham University<\/p>\n
\nFoundation course in Art and Design, Birmingham Polytechnic<\/p>\n
\nMuseum of Arts and Design (MAD) New York<\/p>\n
\nFondazione Cominelli.<\/p>\n
\n\u00ab\u00a0The processes Liana uses in making her jewellery are ones of building and burying. Layer upon layer of enamel slowly obscure the foundation of silver chains, forming a vitreous crust that is raw, crackly and uneven… The point of delight is, not only that unique, colourful and exciting pieces of jewellery are created, but that the rules of enamelling have been broken and rewritten so successfully\u2026\u00a0\u00bb\u00a0Caroline Broadhead.
\nMy response to the way in which the materials fuse together is intuitive and impromptu. With each layer the enamel adds form, structure and substance to the piece. The natural fragility of the material exudes a new found strength, richness in texture and an acquired preciousness at the same time as the silver or gold chain is slowly buried into obscurity. The inquisitive attention, tactile approach and numerous juxtapositions, provoke a sense of preciousness in my jewellery that is understated and enigmatic.\u00a0Liana Pattihis<\/p>\n
\n\u00ab\u00a0Les processus que Liana utilise pour faire ses bijoux sont ceux de la construction et de l’enfouissement. L\u2019accumulation de couches d\u2019\u00e9mail fait lentement disparaitre les chaines d\u2019argent et forme une croute vitrifi\u00e9e, brute, craquante, in\u00e9gale\u2026.. C\u2019est un plaisir, non seulement de d\u00e9couvrir ces bijoux uniques, color\u00e9s, passionnants mais aussi de constater que les r\u00e8gles de l’\u00e9maillage sont bris\u00e9s et r\u00e9\u00e9crites avec autant de succ\u00e8s…\u00a0\u00bb Caroline Broadhead
\nMa r\u00e9ponse \u00e0 la fa\u00e7on dont les mat\u00e9riaux fusionnent est intuitive et improvis\u00e9e. Chaque couche suppl\u00e9mentaire d\u2019\u00e9mail ajoute forme, structure et contenu \u00e0 la pi\u00e8ce. La fragilit\u00e9 naturelle du mat\u00e9riau d\u00e9gage une force nouvellement trouv\u00e9e, une richesse de texture et acquiert une pr\u00e9ciosit\u00e9 en m\u00eame temps que la chaine d\u2019argent ou d’or est lentement ensevelie dans l’oubli. Une curiosit\u00e9 attentive, une approche tactile et de nombreuses juxtapositions, provoquent un sentiment de pr\u00e9ciosit\u00e9 dans mes bijoux qui est \u00e9nigmatique et discret.\u00a0Liana Pattihis<\/p>\n
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\n![\"\"](\"http:\/\/19paulfort.com\/images\/stories\/expositions\/audeladesfrontieres\/PATTIHIS\/IMG01-Adapted_Patterns_Installation_Necklace_01,_2011-L._Pattihis.jpg\")
<\/p>\nAdapted Patterns is a collection based on the simple schematic linear patterns relating to various types of Greek traditional aprons and costumes. The lines are replaced by the enamelled chain which now forms the silhouette of the garment. The collapsible nature of the piece emphasizes its versatility and suggests its dual functionality. One can get involved in either drawing in chain the garment on the canvas provided creating a visual impact, or use the body as a metaphor of the canvas which allows the piece to transform itself as it acquires its new entity as a contemporary piece of jewellery.
\n![\"\"](\"http:\/\/19paulfort.com\/images\/stories\/expositions\/audeladesfrontieres\/PATTIHIS\/IMG010-Royal%20Blue%20Oval%20Silver%20Brooch%202012%20,%20Liana%20Pattihis.jpg\")
<\/h6>\n![\"\"](\"http:\/\/19paulfort.com\/images\/stories\/expositions\/audeladesfrontieres\/PATTIHIS\/IMG07AdaptedPatternsNeckline2012LianaPattihis.jpg\")
\n‘Istos’ Royal Blue Necklace 01, 2012
\nSilver Light Trace Chain, Enamel. L88.5 cm <\/em>
\nPhoto : Liana Pattihis <\/em>
\nThis piece is inspired by the intricate lace
\non traditional Greek costumes. The light trace chain
\nis knitted with knitting needles, enamelled and fired in the kiln.
\n<\/em>
\n![\"\"](\"http:\/\/19paulfort.com\/images\/stories\/expositions\/audeladesfrontieres\/PATTIHIS\/IMG03AdaptedPatternsOrangeNeckline2012LianaPattihis.jpg\")
<\/h6>\nAdapted Patterns – Orange Neckline, 2012 – Silver light trace chain,<\/em>
\nEnamel. L78 cm Photo: Liana Pattihis\u00a0<\/em><\/h6>\n","protected":false},"excerpt":{"rendered":"