{"id":853,"date":"2016-06-04T09:40:06","date_gmt":"2016-06-04T08:40:06","guid":{"rendered":"http:\/\/www.19paulfort.com\/galerie\/?p=853"},"modified":"2016-10-06T14:54:33","modified_gmt":"2016-10-06T13:54:33","slug":"tilden-blanche","status":"publish","type":"post","link":"http:\/\/www.19paulfort.com\/galerie\/index.php\/2016\/06\/04\/tilden-blanche\/","title":{"rendered":"TILDEN Blanche \u2022"},"content":{"rendered":"

\"Portrait<\/a>Blanche Tilden<\/h1>\n

Cr\u00e9atrice de bijoux<\/strong><\/p>\n

Born (1968), Kiama NSW. Lives Melbourne Australia<\/p>\n

TRAINING<\/strong><\/p>\n

1996
\nAustralia Council Traineeship Susan Cohn Workshop 3000, Melbourne<\/p>\n

1995
\nGraduate Diploma of Art Gold and Silversmithing Canberra School of Art ANU<\/p>\n

1992
\nBachelor of Art (Visual) Glass Canberra School of Art ANU<\/p>\n

1988\/89
\nUndergraduate Studies Glass and Jewellery Sydney College of the Arts<\/p>\n

COLLECTIONS<\/strong><\/p>\n

Australia : Art Gallery of South Australia, Adelaide ; Art Gallery of Western Australia, Perth; Canberra Museum and Art Gallery, Canberra; National Gallery of Australia, Canberra; National Gallery of Victoria, Melbourne; Powerhouse Museum of Applied Arts and Sciences, Sydney ; National Art Glass Collection, Wagga ; Queensland Art Gallery, Brisbane ; Territory Craft, Alice Springs; Toowoomba Regional Art Gallery, Toowoomba.<\/p>\n

USA
\nCorning Museum of Glass, Corning, New York; Toledo Art Museum, Toledo, Ohio.<\/p>\n

Artits statement<\/strong>
\n\u00ab\u00a0It is the response of the wearer that makes my jewellery succeed for me. The connection that can develop once a necklace becomes precious to someone else, once it becomes part of their persona, their life, their experience, is the aspect of my practice that I value the most. The connection between the maker and the wearer is a highly valued aspect of making jewellery for Tilden. Her work explores the social and cultural context of jewellery, and its ongoing life as personal adornment. The history of technology, mechanical devices, industrial production and the built environment continually inspire Tilden\u2019s jewellery. Her innovative approach to glass as a material for jewellery and focus on repeating elements draw on observations of the everyday and the impact of technology on contemporary life. Tilden references the visual language of the machine made to examine the value of handmade objects in a world full of mass production. Her handmade chains discuss the potential of the chain as a mechanism for understanding ourselves.\u00a0\u00bb<\/p>\n

D\u00e9claration de l’artiste\u00a0<\/strong>
\n\u00ab\u00a0La r\u00e9action de celui ou celle qui porte mes bijoux fait que c\u2019est pour moi une r\u00e9ussite. Quand un collier devient pr\u00e9cieux pour quelqu’un d’autre, qu’il devient partie int\u00e9grante de sa personnalit\u00e9, sa vie, son exp\u00e9rience, c\u2019est le cot\u00e9 de mon m\u00e9tier que j’appr\u00e9cie le plus. La connexion entre le cr\u00e9ateur et l’utilisateur est un aspect tr\u00e8s important de la fabrication du bijou. Mon travail explore le contexte social et culturel du bijou, et sa dur\u00e9e de vie continue comme une parure personnelle. La technologie, la m\u00e9canisation, la production industrielle et l’environnement b\u00e2ti m\u2019inspirent continuellement. Mon approche du verre en tant que mat\u00e9riau pour la bijouterie et la concentration sur les \u00e9l\u00e9ments r\u00e9p\u00e9titifs viennent d\u2019observations de la vie quotidienne et de l’impact de la technologie sur la vie contemporaine. Le langage visuel de la machine permet d\u2019examiner la valeur des objets faits \u00e0 la main dans un monde rempli de production de masse. Ces cha\u00eenes faites \u00e0 la main montrent le potentiel de la cha\u00eene en tant que m\u00e9canisme pour nous aider \u00e0 nous comprendre.\u00a0\u00bb
\n<\/em><\/p>\n

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Cette artiste a particip\u00e9 rue Paul Fort \u00e0 :<\/strong><\/p>\n

L’exposition \u00ab\u00a0Au-del\u00e0 du pr\u00e9cieux, au-del\u00e0 des mers\u00a0\u00bb\u00a0en septembre octobre 2013<\/p>\n

>\u00a0Lien vers l’exposition<\/a><\/p>\n

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Photos
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